Nimrod, from the ’Enigma’ Variations (arr. for String Quartet)

By: Sir Edward Elgar
For: String quartet
page one of Nimrod, from the ’Enigma’ Variations (arr. for String Quartet)

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Composer
Sir Edward Elgar
Year of composition
1899
Arranger
Lyricist
Joel Jacklich
Difficulty
Moderate (Grades 4-6)
Duration
4 minutes
Genre
Classical music
License details
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.

The story is told of how Elgar, returning home from giving violin lessons, sat down at the piano and, to unwind, began improvising. Alice commented favourably on the tune that emerged and Elgar responded by suggesting how certain of their friends might play it. Out of that spontaneous exchange grew the idea of the Enigma Variations, the work that finally secured Elgar’s reputation as a composer of national, even international, standing. It remains one of the most popular works in the classical repertoire.

The Ninth Variation - "Nimrod" represents A. J. Jaeger, Elgar’s great friend whose encouragement did much to keep Elgar going during the period when he was struggling to secure a lasting reputation - the variation allegedly captures a discussion between them on Beethoven’s slow movements.

This piece has long been associated with official state mourning in Britain, and is used for state frunerals, much as Samuel Barber’s "Adagio for Strings" is used in the United States.

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Funeral March from the Sonata in B-Flat Minor, Op. 35, Amapola, The Carman's Whistle, The Big Book of Christmas Carols II for Clarinet Quartet, The Water Is Wide (O Waly, Waly), Columbia, the Gem of the Ocean (1843), Sonata in G minor, Vol. I, No. 11, arr. for viola and string orchestra, The Big Book of Christmas Carols II for String Orchestra, Royal Fireworks Music, La Paix (Clarinet Quartet), The Marines’ Hymn (From the Halls of Montezuma), Shenandoah, Royal Fireworks Music, Bourrée (Clarinet Quartet), Libiamo ne’ lieti calici (Drinking Song) from La Traviata (for string quartet), O mio babbino caro (1918) (for wordless voice and string quartet), Voi, che sapete, from Le Nozze di Figaro (arr. for string trio), Ein Mannlein steht im Walde (from the opera Hansel und Gretel), Radetzky March, Op.228 (Sax Quartet-AATB or SATB), Annen Polka, Op, 117 (Saxophone Quartet), Annen Polka, Op. 117, Concerto Grosso, Op. 6, No. 8 (Christmas Concerto), Sheep May Safely Graze (Chorale Melody in Violin), Sheep May Safely Graze (Chorale Melody in Viola), Overture to "Die Fledermaus", Little Fugue in G Minor, BWV 578, My Bonny Lass, She Smileth (arranged for String Quintet - 3 violins, viola, and cello), Anchors Aweigh (for String Quartet), Largo from Xerxes (for String Quintet - 3 violins, viola, & cello), Funeral March for a Marionette, Blue Danube Waltzes, Op. 314 (String Quartet), War March of the Priests from Athalia, Overture to "The Gypsy Baron", Water Music No. 11, Allegro Maestoso (Hornpipe) for Organ, Ciribiribin (for String Quartet), Miserere (arranged for String Quartet), Thunder and Lightning Polka, Air from the Third Orchestral Suite (arranged for String Trio), Jesu, Joy of Man's Desiring (SATB Choir w/String Quartet), Jesu, Joy of Man’s Desiring (Chamber Orchestra), Tales of the Vienna Woods Waltzes, Op. 325, Country Dance No. 4 (for Two French Horns), Country Dance No. 2 (for Two French Horns), Ave Maria on the First Prelude of J.S. Bach (for String Quartet alone) G, Crown With Thy Benediction (for String Quartet), Overture to "H. M. S. Pinafore" (for Fl., Vln., Vc. 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