Large mixed ensembleAu fond du temple saint, from "The Pearl Fishers"

Au fond du temple saint, from "The Pearl Fishers"

By: Georges Bizet
For: Large mixed ensemble
page one of Au fond du temple saint, from "The Pearl Fishers"
←
→
$ £

Buy this score and parts

Au fond du temple saint, from "The Pearl Fishers"

$31.24

$11.44

from $1.80

Preview individual parts:

PDF icon

Instant download

You are purchasing high quality sheet music PDF files suitable for printing or viewing on digital devices.
Composer
Georges Bizet
Year of composition
1863
Arranger
Glynn Davies
Lyricist
anon.
Difficulty
Moderate (Grades 4-6)
Duration
5 minutes
Genre
Classical music
License details
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.

Despite its exotic setting, this early opera stubbornly refuses to abandon the stage and enter the heart, as Carmen undoubtedly did. What conviction there is comes mainly from the 25-year-old composer's melodic fluency and subtle treatment of the orchestra, as in the beautiful tune of the Prelude.

The scene is set in Ceylon and concerns the love of Zurga, king of the pearl fishers, and his friend Nadir for a priestess, Le�la. In the first act, the two men meet and have apparently recovered from their infatuation; but the priestess is appointed by the pearl fishers to protect them from the wrath of the Hindu god Brahma during the fishing season. Despite her veil, Nadir recognizes Le�la, again falls in love with her, and his affection is returned. Despite Le�la's vow of chastity, they are found in the sanctuary of the temple. The High Priest Nourabad tears off her veil and Zurga, in a jealous fury, condemns her to death. But, it appears, Zurga once showed his gratitude to a girl who helped him when he was being attacked by robbers by giving her a necklace, and he notices that Le�la is wearing the necklace. He decides to free her, starts a fire in the pearl fishers' tents, and the prisoners escape. (In later productions, Zurga is usually killed, but this does not happen in the printed libretto of the original vocal score).

The plot is mawkish, the characters weakly drawn, and much of the music derivative (mainly of Gounod and Massenet, though there is also a considerable debt to Verdi). The best (and worst) parts are the concerted choruses and ensembles, though Zurga and Nadir's duet "Au fond de la Temple," which returns again and again in the manner of a leitmotif, has to some extent proved an insurance against the eclipse of Les P�cheurs. Le�la's oath of chastity, "Je le jure" in Act One, is also treated in this episodic way. Bizet received few favors from his librettists (Carr� and Piestre) and highlight discs are usually more impressive than complete performances.

This arrangement is for solo Tenor and Bass with small chamber ensemble.

To purchase this score, please add it to your cart above. To purchase music not currently available on Score Exchange or for extended license requests, please contact the publisher directly.
Tales From The Vienna Woods, O Christmas Tree, Le Coucou, Marche Militaire, Op.51 No.1, Suite Bergamasque - No.3 Clair de Lune, Berceuse, Op.16, Kinderszenen, Op.15 No.13 Der Dichter Spricht (The Poet Speaks), Marche Militaire, Op.51 No.1, Serenade No.10 "Gran Partita" - 6. Theme and variations, Slavonic Dance Op.72 No.2, Swan Lake - Dance of the Cygnets, La Damnation de Faust - Rakoczy March, Piano Sonata in A "Alla Turca" - 3. Rondo, Symphony No.25 - 2. Andante, The Washington Post March, Orchestral Suite No.2 - 3. Sarabande, Brandenburg Concerto No.5 - 1. Allegro, Water Music Suite No.2 in D, We Three Kings, The Liberty Bell March, Orchestral Suite No.2 - 4. Bourree I and II, Birthday Minuet, Symphony No.29 - 3. Menuetto, Orchestral Suite No.3 - 4. Bourree, Habanera from "Carmen", Children's Corner, No.6 The Golliwog's Cake-Walk, Trombone Johnsen, Humoresque, Op.101 No.7, Emperor Waltz, Habanera from "Carmen", Song Without Words No.27 "Funeral March" Op.62 No.3, Kinderszenen, Op.15 No.7 Traumerei (Dreaming), Lohengrin - The Bridal Chorus, We Wish You A Merry Christmas, The Merry Wives of Windsor - Overture, Souvenir d'un lieu cher, Op.42 - No.3 Melodie, String Sonata No.1 - 2. Andante, Policy King, Holberg Suite - 5. Rigaudon, Gymnopedie No.1, Concerto in D minor for 2 Violins - 3. Allegro, Espana - 2. Tango, A Midsummer Night's Dream Op.61 - Nocturne, The Entertainer, Deck The Halls, Hands Across The Sea, Artist's Life Waltz, Brandenburg Concerto No.5 - 3. Allegro, L'Inverno ("Winter") - 3. Allegro, The Carnival of the Animals - The Swan, Pavane, Op.50, The Ragtime Dance, L'Autunno ("Autumn") - 1. Allegro, L'Inverno ("Winter") - 1. Allegro non molto, O Come, All Ye Faithful (Adeste Fidelis), Thais - Meditation, Brandenburg Concerto No.3 - 1. Allegro, La Cinquantaine, L'Inverno ("Winter") - 2. Largo, Holberg Suite - 1. Prelude, Holberg Suite - 3. Gavotte and Musette, Capriol Suite, God Rest Ye Merry, Gentlemen, Concerto in D minor for 2 Violins - 1. Vivace, String Sonata No.1 - 1. Moderato, Symphony No.29 - 4. Allegro con spirito, String Sonata No.1 - 3. Allegro, 16 Songs for Children, Op.54 No.6 Legend ("When Jesus Christ Was Yet A Child"), Brook Green Suite - 2. Air, La Primavera ("Spring") - 1. Allegro, Concerto in D minor for 2 Violins - 2. Largo ma non tanto, Trio No.2, The Nutcracker - Overture, Un bel di vedremo, from "Madama Butterfly", La Primavera ("Spring") - 3. Allegro: Danza pastorale, L'Autunno ("Autumn") - 2. Adagio molto, Praise, My Soul, The King Of Heaven, Anvil Chorus, from "Il Trovatore", Anvil Chorus, from "Il Trovatore", St. Paul's Suite - 1. Jig, La Primavera ("Spring") - 2. Largo, Largo al factotum, from "The Barber of Seville", Mon coeur s'ouvre a ta voix, from "Samson et Dalila", Sonata "Pathetique" Op.13 - 1. Grave - Allegro, Sonata "Pathetique" Op.13 - 2. Adagio cantabile, St. Paul's Suite - 3. Intermezzo, Thaxted (I vow to thee, my country), The Holly And The Ivy, Sonata in A, KV 331 - 2. Menuetto and Trio, Song to the Moon, from "Rusalka", Symphony No.29 - 1. Allegro moderato, St. Paul's Suite - 2. Ostinato, Babes in Toyland - March of the Toys, Trio No.4, Brook Green Suite - 1. Prelude, Unto Us A Child Is Born, Maple Leaf Rag, Wine, Women and Song, Rosamunde - Ballet Music No.2, Silent Night, Concerto for Two Violins "L'estro armonico" Op.3 No.8 - Movement 2, Orchestral Suite No.2 - 2. Rondeau, Serenade No.10 "Gran Partita" - 2. Menuetto; Trio 1; Trio 2, Pictures at an Exhibition - Promenade, The Blue Danube Waltzes, Angels We Have Heard On High, O mio babbino caro, from "Gianni Schicchi", William Tell - Overture, Che gelida manina, from "La boheme", I Saw Three Ships, Symphony No.40 - 1. Allegro molto, Ah! per sempre io ti perdei, from "I Puritani", Brandenburg Concerto No.6 - 2. Adagio ma non tanto, Slavonic Dance, Op.46 No.7, O come, O come, Emmanuel, Brandenburg Concerto No.3 - 2. Adagio - Allegro, Symphonie Fantastique - 2. Un Bal, Orchestral Suite No.2 - 1. Overture, Away In A Manger, Orchestral Suite No.2 - 5. Polonaise and Double, Solomon - Act III, Sinfonia "Arrival of the Queen of Sheba", Symphony No.40 - 2. Andante, Auld Lang Syne, Orchestral Suite No.2 - 7. Badinerie, The Coventry Carol, Symphony No.25 - 4. Allegro, Water Music Suite No.3 in G, Ave Maria, Op.52 No.6, Carmen - Act 1: Prelude, Symphony No.40 - 3. Menuetto, Slavonic Dance, Op.46 No.8, Serenade No.10 "Gran Partita" - 3. Adagio, O Little Town Of Bethlehem (1), Brandenburg Concerto No.2 - 1. Allegro, O Holy Night and The Barber of Seville - Overture

Reviews of Au fond du temple saint, from "The Pearl Fishers"

Sorry, there's no reviews of this score yet. Please .