OrchestraDance of the little Moorish Slaves [AIDA]

Dance of the little Moorish Slaves [AIDA]

By: Verdi
For: Orchestra
page one of Dance of the little Moorish Slaves [AIDA]
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Composer
Verdi
Year of composition
1871
Arranger
George Pollen
Lyricist
none
Difficulty
Moderate (Grades 4-6)
Duration
2 minutes
Genre
Classical music
License details
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.

Dance from the opera. Aida, an Ethiopian princess, is torn between love of her homeland, family and the man who loves her. Radames, is the man Aida loves. He is appointed Commander of the Egyptian Army and sent off to fight the Ethiopian invasion. Amneris senses the feelings between Aida and Radames which angers her for she is also in love with Radames. Radames returns to Egypt victorious along with a group of Ethiopian prisoners. Included in the group is Amonasro, Aida’s father. Amonasro manipulates Aida into discovering the battle plan of the Egyptian Army from Radames. He is discovered giving the details to Aida and Amonasro by Amneris and is sentenced to be buried alive.

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Persian March Op 289, Ballet Egyptian, L’enfance du Christ (Orch), Sheep may safely graze (Orch), La Mourisque (Orch), Jesu joy of man’s desiring, The Barber of Lavapies-Selection (Orch), El baile de Luis Alonso (Orch), Trumpet Voluntary (1700), March Radetzky, The Pelly Waltz, Triumphal March from Tarpeja WoO2, Light Baggage Gallop, March: Remembrance of Paris, Triumphal March-Cantata: Caractacus Op. 35, Ouvre Ton Coeur (Open your heart), Passacaglia & Fugue in C minor, Londonderry Air, Suo Gan [Welsh Air] (Orch), Arrival of the Queen of Sheba (Orch), Boccherini's Minuet (Orch), Scicilienne [Pelleas & Melisande] Op. 80, Brother James’ Air (Marosa), Hungarian Dance [From Foreign Lands] Op. 23, March Lorraine (Orch), Bethena [A concert waltz], Eton Place, Weinachtkonzert [Concerto Grossi] No. 12, La Campanella, The Shepherds’ Lottery, March: Entrance of the Boyards, Partita No. 3 in E major [BWV1006], Scheherazade: Theme from 3rd movement, Jerusalem (With optional Voice or Choir), Memories of Covent Garden, Overture: The Land of the mountain and the flood, Dance of the Blessed Spirits [Orfeo & Euridice], Sevilla [Suite: Espanola Op. 47], Pavane pour une infante defunte, Malaguena [Opera: Boabdil], Danse Villageoise (Suite Pastorale), Prelude (Te Deum), Sweet Remembrance, Berceuse Op. 16, Princess Ida [Introduction], Theme from Organ Symphony No. 3, Lucy Long for Bassoon and orchestra, Humoresque Op. 101, March: Royal Standard, March of the Peers (Orch), March: The Grenadier’s Return, Arioso (Orch), Zapateado [Danza Espanolas No. 2], Andante Cantabile, Triumphal March: Cleopatra, Romanza Andaluza, Andantino, Festmarsch Wo05, Flower Duet [Opera: Lakme], TOREADOR’S SONG for Trumpet and Orchestra, Procession of the Nobles [Ballet suite: Mlada], Polovtsian Dances [Prince Igor], Symphony No 5 (Reformation) 3rd Movement, Overture: Di Ballo, Gymnopedies No. 2, Gymnopedies No. 1, Notturno, Concerto in G minor [4th Movement], Where’re you walk (Flute or Oboe or Trumpet solo and orchestra), A Highland Hoedown, Beguine Royale, Water Music [Suite: 5 movements], Clair de lune [Suite Bergamasque] (Orch), Serenade for Solo Trumpet and orchestra, Wedding March, Strange Adventure [Yeomen of the Guard], Scherzo Fantastique Op. 25, Sarabande, Russian March, March: National Emblem, Royal Fireworks Music, Delius: Sleigh Ride, Bourree [Suite ancienne], Saint-Saen's Gavotte, Toasts and Tunes for all occasions, La Boda de Luis Alonso (Orch), Bolero, Chaconne, Post Horn Galop (for Post Horn and orchestra) and A 17th Century Suite (1633)

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