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This work has been composed for my highest grade students in harmony / counterpoint. The purpose was to build a piece of music for keyboard in the style of J.-S. Bach's 3 Parts Inventions (BWV 788 to 801).
The idea is to give the first bar only (including the whole material of the piece, this is to say the 2 Themes composed in invertible counterpoint). The challenge is to compose as close as possible to Bach's keyboard music. With the following instructions:
- First Part ends at bar 10 in D minor (authentic cadence);
- Second Part ends at bar 20, back to the Tonic where the invertible themes are exposed twice (by inversion of the order of the voices);
- Last cadence at bar 26.
I give the first bar (exercise) as an extracted part.
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