Swing Low, Sweet Chariot for Trombone, Euphonium, Baritone & Keyboard

By: trad.
For: Solo Trombone + piano
page one of Swing Low, Sweet Chariot for Trombone, Euphonium, Baritone  & Keyboard

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Swing Low, Sweet Chariot for Trombone, Euphonium, Baritone & Keyboard

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Composer
trad.
Arranger
Difficulty
Moderate (Grades 4-6)
Duration
2 minutes
Genre
Jazz music
License details
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.

An arrangement of the spiritual ’Swing Low Sweet Chariot’, for Pro players of Trombone, Euphonium, Baritone and Keyboard.

Swing Low, Sweet Chariot" was first written by Wallis Willis, a Choctaw freedman in the old Indian Territory, sometime before 1862. He was inspired by the Red River, which reminded him of the Jordan River and of the Prophet Elijah’s being taken to heaven by a chariot. Many sources (see Songs of the underground railroad) claim that this song and "Steal Away"—also composed by Willis—had lyrics that referred to the Underground Railroad, the resistance movement that helped slaves escape from the South to the North and Canada.

Alexander Reid, a minister at a Choctaw boarding school, heard Willis singing these two songs and transcribed the words and melodies. He sent the music to the Jubilee Singers of Fisk University in Nashville, Tennessee. The Jubilee Singers popularized the songs during a tour of the United States and Europe.

The song enjoyed a resurgence during the 1960s Civil Rights struggle and the folk revival; it was performed by a number of artists. Perhaps the most famous performance during this period was that by Joan Baez during the legendary 1969 Woodstock festival.

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Tambourin for Baritone, Euphonium Trombone (BC) & Piano, Ave Maria for Bb Trumpet & Piano, Little Brown Jug for Flexible Band Grade 4/5 ish, Amazing Grace for Flexible Band (Grade 4 ish), Czardas for Solo C / Bb Euphonium & Concert Band (Bb minor), Lullaby for a Trombonist/Euphophonist, Keyboards & Double/Electric Bass, Also Sprach Zarathustra Rocks! 2001 A Space Odyssey for C Trombone & Organ, Bass Guitar & Drumset, Una Furtiva Lagrima for C Trombone & Piano (Intermediate Version), Night Flight to Barcelona for Trombone Quartet, Arioso (Sinfonia to Cantata Ich steh mit einem Fuß im Grabe) for C Euphonium & Harpsichord , O Sole Mio for Baritone/Euphonium/Trombone & Piano (BC), Badinerie from Suite No. 2 for C Trombone, Euphonium, Baritone & Piano (lower version)), Lassus Trombone for Trombone & Brass Quartet, O Sole Mio for Baritone/Euphonium/Trombone & Piano (BC), Nessun Dorma for Bassoon & Piano, Air on the G String for C Trombone/Euphonium & Keyboard, Keep the Fire Alive for solo C Trombone & Concert Band, The Lord's My Shepherd for three Bb Trumpets & Trombone, Prelude from Te Deum (Eurovision Song Contest Theme) for French Horn & Organ w pedals (Intermediate version), Czardas for solo Euphonium & Brass Quintet (BC Version), Jasmine Flower (The) for C Euphonium & Piano, Prelude from the Te Deum (Eurovision Song Contest Theme) for 2 C Euphoniums/Trombones & Organ w pedals, Jesus Christ is Risen Today for Brass Quartet, Trumpet Tune from the Island Princess for Trombone Quintet, Jesus Christ is Risen Today for Classical Brass Quartet (with high Bb Piccolo Trumpet Descant), Chorale Partita with Seven Variations for Trombone Quintet (1 Alto, 3 Tenors & Bass), Overture from Suite in D (Water Music) for two Euphoniums & Keyboard, Fanfare & Soliloquy for Tuba & Piano, Czardas for solo Euphonium & Symphony Orchestra, The Saint’s Visit Havana with a Touch of W.A.Mozart for Bb Trombone-Euphonium (TC), Albanian National Anthem for Brass Quintet & Percussion (Himni i Flamurit - Hymn to the Flag) ''World National Anthem Series'', Swing Low, Sweet Chariot for C Tuba & Keyboard, Russian Federation National Anthem (Hymne National de Russe) for Brass Quintet (MFAO World National Anthem Series), United States of America National Anthem (The Star Spangled Banner) for Brass Quintet (World National Anthem Series), Czardas for C Trombone & Pianoforte, March from ’Judas Maccabaeus’ for Trombone Quartet & optional KB & Percussion, What Shall We Do With The Drunken Tuba Quartet?, What Shall We Do With The Drunken Trombone Quartet?, English National Anthem Jerusalem for Trombone Quintet (And Did Those Feet In Ancient Times), 8 Swinging Xmas Carols for C Tuba & Piano, What Shall We Do With The Drunken Bb Euphophonist, What Shall We Do With The Drunken Trombonist?, The Saint’s Visit Havana with a Touch of W.A. M. for C Trombone & Piano, Havana Rhubarb Rumba for two Eb Tenor/Alto Horns & Piano, Havana Rhubarb Rumba for two C Trombones/Euphoniums, Baritones & Piano, SUO-GAN for C Baritone/Euphonium/Trombone & Piano , Eternal Father Strong to Save (Naval Hymn) for Brass Quartet-Quintet (Traditional version), Japanese National Anthem (Kimiyago - “君が代”) for Brass Quintet (MFAO World National Anthem Series), Ombra mai fu for C Trombone/Euphonium & Piano and Jesu, Joy of Man's Desiring for C Euphonium/Trombone & Piano

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