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This is a short four-movement suite written as a composition exercise for my professor at the RCM, Bryan Kelly. I was working on Bart�k’s Suite Op 14 at the time with my piano professor, and my composition very much reflects a similar style, hence the title, somewhat intended in the manner of Tchaikovsky’s ’Mozartiana’. Bart�k’s Suite ends with the slow movement, mine comes second, and the motoric drive of his third movement, in my suite, makes use of typically Bart�kian additive-rhythms.
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