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Original version and revised version (2014) of Sequenza #2. This composition is based upon a sequence of propositions that are either notated or "composed in real-time" following guidelines provided by the composer. One can notice a post-modernist approach to music-making using the so-called "window form" where every and each episode opens a window to a different "world" and uses a different modal scale of the key of A minor. The piece of aleatoric music makes wide use of extended techniques (growling, glissando, etc.) and it starts with a quotation from Stravinsky’s “Rite of Spring” (four notes to be varied) before getting to a bluesy section where a groovy bassline is alternated to line on the blues scale (to be improvised); after a short melodic section (A aolian) there is another quotation (from Mahler’s second symphony) that introduces a fast section (A dorian plus transpositions) with more variations and permutations in real-time; after a cadenza (A melodic minor) it goes to a section with double tonality (A minor and Ab major/minor), passing through a few lines in A harmonic minor it then introduces a finale “alla Tarantella” using a famous Tarantella theme called “Antidotum Tarantulae”. More on www.lucaluciano.com
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