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2014 revision of the Sequenza #1. This composition is based upon a sequence of propositions that are either notated or "composed in real-time" following guidelines provided by the composer. One can notice a post-modernist approach to music-making using the so-called "window form" where every and each episode opens a window to a different "world". The piece makes wide use of extended techniques and it starts with establishing the four pitches that will be developed in a march-like section on an ostinato bass (including a concert A as a kind of tonal centre or the dominant to a key of D); it then varies and transposes a line (taken as a quotation) from the Stravinsky's "Rite of Spring"; a written melody typical of the Italian melodrama; a jazz section ("bebop"); comes back to variations on Stravinsky and it modulates to a final section (using the F minor Neapolitan Scale) "alla Tarantella" where the performer uses the lower register of the instrument changing the tone and making it sound like a Chalomeu.
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