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Composed in 1772, this delightful short march is one of three crafted by Joseph Haydn for the esteemed court musicians at Esterháza. Originally envisioned for outdoor performances, this piece's discovery in the form of small, card-shaped parts, akin to those used by contemporary marching bands, suggests its practical use. Nevertheless, I advocate for its inclusion in an indoor setting, particularly within the intimate and acoustically refined ambiance of a brass quintet concert. The charm and elegance of this piece, often obscured in open-air performances, truly come to life in such controlled environments. Its gentle, yet spirited character makes it not only a joy to listen to but also a refreshing alternative for ceremonial occasions. Imagine, for instance, its harmonious notes accompanying a bride and groom down the aisle, offering a unique and memorable departure from the conventional selections. This arrangement invites audiences to experience Haydn's work anew, reimagined through the versatile and rich timbres of a brass quintet.
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