March from Scipio in Bb for Flexible Band (School Band Series)

By: G.F.Handel
For: Large mixed ensemble
page one of March from Scipio in Bb for Flexible Band (School Band Series)

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March from Scipio in Bb for Flexible Band (School Band Series)

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Composer
G.F.Handel
Year of composition
1726
Arranger
Difficulty
Easy (Grades 1-3)
Duration
2 minutes
Genre
Classical music
License details
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.

A transcription of Handel’s March from Scipio for Flexible Band.

If the parts you require are not here, e-mail me your requirements:keithterrett@gmail.com

Prologue

The setting is New Carthage (Cartagena), 210 BCE, after the Roman army, led by Scipione has captured the city from the Carthaginians and their Spanish allies.

Scipione (HWV 20) is an opera in three acts, with music composed by George Frideric Handel for the Royal Academy of Music (1719) in 1726. The librettist was Paolo Antonio Rolli. Handel composed Scipione whilst in the middle of writing Alessandro. It was based upon the life of Roman General Scipio Africanus. Its slow march is the regimental march of the Grenadier Guards.

The opera had its premiere on 12 March 1726 at The King's Theatre, Haymarket. Handel revived the opera in 1730, but it did not receive another UK production until October 1967, by the Handel Opera Society. In Germany, Scipione was revived at the Göttingen International Handel Festival in 1937, at the annual Handel Festival in Halle in 1965, and by Christophe Rousset at the Festival de Beaune in 1993.

Ellen Harris has discussed Handel's specific use of musical keys in the opera, noting, for example, that the opera starts and concludes in G major. Winton Dean has noted that the opera originally contained the character of Rosalba, mother to Berenice. However, because the singer originally scheduled for the role of Rosalba was not available, that role was removed and the music and text transferred to other characters. In addition, Dean has commented on dramatic weaknesses in the plot of act 3.

Act 1:

Scipione leads a procession of captives into the city through the triumphal arch. He anticipates future conquests and salutes his officers, with a particular laurel for Lelio. Lelio, in return, offers the prisoner Berenice to Scipione. Scipione is immediately attracted to Berenice, but vows to respect her honour. Berenice is in love with the Spanish prince Lucejo, who is among the Roman army incognito. He vows to rescue her. Lelio himself is attracted to another prisoner, Armira, but she will not return the affection whilst a prisoner. This begins to draw Lelio in sympathy with the female prisoners, although he does advise Berenice to accept Scipione’s affection.

The female prisoners are confined in a palace with a garden, but Scipione has forbidden strangers to enter. Still disguised, Lucejo breaches the garden, but hides when he hears Scipione approaching. Scipione tries to win over Berenice and proclaims his love for her. Lucejo cannot tolerate this, and betrays his presence by his exclamation. Berenice tries to protect Lucejo by calling him a madman and begging for mercy. Alone at the end of the act, Lucejo is unsure of Berenice’s motives and begins to become jealous.

Act 2

Ernando, father to Berenice, has arrived to offer a ransom for his daughter and also friendship to Scipione. Scipione tries again to woo Berenice, but she again rejects his advances. After Scipione has left, Lucejo reappears, but she dismisses him. This confirms Lucejo’s initial jealous suspicions, but Berenice feels emotionally torn. Even with his jealous feelings, Lucejo does not completely break with Berenice, but he does pretend to express affection for Armina, in the expectation that Berenice will overhear this. Both Berenice and Armina are distressed at the situation, and Scipione arrives, angry to see Lucejo in the garden. Lucejo now confesses his identity and his plans, and challenges Scipione to a duel. Scipione orders the arrest of Lucejo. Berenice then admits that she could love a Roman, if she had not promised herself to another.

Act 3

Scipione offers Ernando freedom for Berenice, on condition that he may marry her. Ernando replies that he would willingly give up his life and kingdom, but that he cannot break his earlier promise to Lucejo of Berenice in marriage. This nobility impresses Scipione, who then plans to send Lucejo to Rome as a prisoner. He further ponders the situation, and resolves to sacrifice his own personal desires for the greater happiness of the others. He tells Berenice of his change of mind and heart. He accepts the ransom offer from Ernando and frees Berenice, saying that she may marry Lucejo. Furthermore, he gives the ransom to the couple as a wedding present. All present praise Scipione’s generosity, and Lucejo vows loyalty to Rome for himself and his subjects.

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Air from the Suite No. 3 in D for C Trombone & String Orchestra, A Serenade for Vibraphone, Piano & Double Bass, Salut d'Amour Loves Greeting Opus 12 for French Horn & Piano, Moonlight Serenade for French Horn & Piano, Rondo Alla Turca for Bb Clarinet & Piano, Rondo Alla Turca for Flute & Piano, Vedrò con mio diletto Aria:from the Opera ''Il Giustino" for C Euphonium & Keyboard, Tambourin for Bb Piccolo Trumpet & Piano, Tambourin for Xylophone, Vibraphone, Marimba & Piano, Ave Maria for Bb Tenor Saxophone, Haunted Woods (The) for Symphony Orchestra (Hollywood Film Cue Series), Czardas for Solo C / Bb Euphonium & Concert Band (Bb minor), Little Brown Jug for Clarinet Quintet + (Jazz for 5 Wind Series), Keep the Fire Alive for solo Oboe & Concert Band, Moonlight Serenade for Bb Trombone Quintet (TC) Jazz for Just 5 Brass Series, Frankie & Johnny for Bb Soprano Saxophone & Piano, Sāre Jahāṉ se Acchā - سارے جہاں سے اچھا (Indian Patriotic song) for Flute, Bassoon & Piano (Pro version), Von fremden Ländern und Menschen for Brass Quintet, Pachelbel’s Canon for 8 Bb Clarinets, March from ’Judas Maccabaeus’ for Oboe Quartet, Keyboard & Percussion, Golliwog's Cake-Walk for Clarinet Sextet, Gollidoll’s Cake-Walk for Clarinet Sextet, Trumpet Tune from the Island Princess for Flute Quintet/Choir, Trumpet Tune from the Island Princess for Clarinet Choir, Trumpet Tune from the Island Princess for Wind Quintet, March from ’Judas Maccabaeus’ for Saxophone Quartet, Trumpet Tune from the Island Princess for Recorder Consort, Two Jeremiah Clarke Trumpet Tunes for Oboe Consort, Trumpet Tune from the Island Princess for Saxophone Quintet, Morning has Broken (Bunessan) for Young Concert Band, Eternal Father Strong, to Save (Naval hymn) for Saxophone Quartet-Quintet, Eternal Father Strong, to Save (Naval hymn) for Oboe Consort, Eternal Father Strong, to Save (Naval hymn) for Clarinet Quintet, Prelude from Te Deum (Eurovision Song Contest Theme) for Bb Clarinet & Organ w pedals, For all the Saints (Sine Nomine) for Wind Quintet, Cwm Rhondda for Saxophone Quartet/Quintet S, A, T, Bari & Contra Bass, Czardas for Solo Euphonium & Concert Band in C minor, Cwm Rhondda Oboe Quartet, Echo for Brass Octet, Paddy’s Day (St. Patrick’s Day) March for Concert/Wind Band , Pachelbel’s Canon for Oboe Consort/Octet, English National Anthem (And Did Those Feet in Ancient Times) for Flute Quintet, March from ’Judas Maccabaeus’ for Trombone Quartet & optional KB & Percussion, Fugue on B-a-ch- for Marimba Quintet, English National Anthem (And Did Those Feet in Ancient Times) for Trombone Quintet, Cwm Rhondda for Tuba Quartet, Cwm Rhondda for String Orchestra, English National Anthem (Did Those Feet in Ancient Times) for Saxophone Quintet, Prelude from Te Deum (Eurovision Song Contest Theme) for Eb Alto Saxophone & Organ w pedals (Student version), Pachelbel's Canon for Trombone Octet, Ode to Joy for School/Flexible Band, American Military Marching Songs for Concert/Wind Band (Keith Terrett Classic March Collection), Londonderry Air & Cavalry Last Post for solo Eb Cavalry Trumpet & Concert/Wind Band, Night Flight to Barcelona for Trombone Quartet, The Gypsy Recorder Consort in Washington!, Cwm Rhondda for Brass Quartet-Quintet, Taps (Last Post) for Concert Band, Three Welsh Chorales for Brass Quartet , Cwm Rhondda for Wind Quintet, Night Flight to Barcelona (Vuelo nocturno a Cartagena) for Concert /Wind Band (Keith Terrett Classic March Collection), Cwm Rhondda for Clarinet Choir, Escape to the Phaeacians for Concert/Wind Band, Frankie & Johnny for Vibraphone & Piano, Cwm Rhondda for Recorder Quartet, Lassus Trombone for Trombone & Brass Quartet, Hava Nagila (Let us Rejoice) for Flexible Band, March from ’Judas Maccabaeus’ for Junior Brass Quartet (School Junior Brass Series), Träumerei for Flute Choir, What Shall We Do With The Drunken Bassoonist?, A Serenade for Trombone, Baritone or Euphonium (BC) & Piano, La Danse de Puck for Symphonic Wind Band (Keith Terrett Classic Band Series), It Is My Right for Concert/Wind Band, Angels Sang (Christmas Carol for Brass Quartet), Nearer My God, To Thee for Young Concert Band (Titanic Hymn), Victory in Europe Day March for Brass Band (British) (Keith Terrett Classic March Collection), Von fremden Landern und Menschen for Saxophone Quintet, Von Fremden Landern und Menschen for Recorder Consort, Von Fremden Landern und Menschen for Flute Choir and Von Fremden Landern und Menschen for Clarinet Choir

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