March from Scipio for Wind Quartet & optional Keyboard & Percussion

By: George F. Handel Arr:Keith Terrett
For: Wind quartet
page one of March from Scipio for Wind Quartet & optional Keyboard & Percussion

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March from Scipio for Wind Quartet & optional Keyboard & Percussion

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Composer
George F. Handel Arr:Keith Terrett
Year of composition
1726
Arranger
Difficulty
Easy (Grades 1-3)
Duration
1 minute
Genre
Classical music
License details
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.

Scipio arranged for Wind Quartet, with optional KB & Percussion parts.

Scipione (HWV 20) is an opera in three acts, with music composed by George Frideric Handel for the Royal Academy of Music (1719) in 1726. The librettist was Paolo Antonio Rolli. Handel composed Scipione whilst in the middle of writing Alessandro. It was based upon the life of Roman General Scipio Africanus. Its slow march is the regimental march of the Grenadier Guards.

The opera had its premiere on 12 March 1726 at The King's Theatre, Haymarket. Handel revived the opera in 1730, but it did not receive another UK production until October 1967, by the Handel Opera Society. In Germany, Scipione was revived at the Göttingen International Handel Festival in 1937, at the annual Handel Festival in Halle in 1965, and by Christophe Rousset at the Festival de Beaune in 1993.

Ellen Harris has discussed Handel's specific use of musical keys in the opera, noting, for example, that the opera starts and concludes in G major. Winton Dean has noted that the opera originally contained the character of Rosalba, mother to Berenice. However, because the singer originally scheduled for the role of Rosalba was not available, that role was removed and the music and text transferred to other characters. In addition, Dean has commented on dramatic weaknesses in the plot of act 3.

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Humoresque for Xylophone & Piano, Ave Maria for French Horn & Piano, Moonlight Serenade for Clarinet Quintet + (Pro version), Queen of the Night Aria for Flute/Piccolo & Piano, Tico-Tico no fubá for Bb Piccolo Trumpet, Eb Alto Trombone & Piano, Tin Roof Blues (Rusty Nail Blues) for Clarinet Quintet ''Jazz for 5 Wind Series'', In Dulci Jubilo "In sweet rejoicing" for Oboe Consort, O Sole Mio for Treble Recorder & Piano, Four Classic English Chorales/Hymns for Brass Quartet, Jasmine Flower (The) for Flute & Concert Band, All Through the Night(Ar Hyd Y Nos) for Wind Quartet & Percussion, Prelude from Te Deum (Eurovision Song Contest Theme) for French Horn & Organ w pedals (Lower version), O Sole Mio for Flute & Piano, Fugue for 6 Flutes , What Shall We Do With The Drunken French Horn Player?, Bollywood Tango for Piccolo & Bass Flute, Air from the Suite No. 3 in D for Flute & Keyboard, English National Anthem Jerusalem for Recorder Quintet (And Did Those Feet In Ancient Times), Jazz it up:When the Saint’s Go Marching In for Alto Flute & Piano, March from ’Judas Maccabaeus’ for Oboe Quartet, Keyboard & Percussion, English National Anthem Jerusalem for Double Recorder Quintet (And Did Those Feet in Ancient Times), Golliwog's Cake-Walk for Clarinet Sextet, Gollidoll’s Cake-Walk for Clarinet Sextet, Largo (from Lute Concerto in D Major) for Wind Quintet, RV. 96, Trumpet Tune from the Island Princess for Flute Quintet/Choir, Trumpet Tune from the Island Princess for Clarinet Choir, Pachelbel’s Canon for 8 Bb Clarinets, Trumpet Tune from the Island Princess for Wind Quintet, Trumpet Tune from the Island Princess for Recorder Consort, Two Jeremiah Clarke Trumpet Tunes for Oboe Consort, Trumpet Tune from the Island Princess for Saxophone Quintet, Morning has Broken (Bunessan) for Young Concert Band, Eternal Father Strong, to Save (Naval hymn) for Saxophone Quartet-Quintet, Eternal Father Strong, to Save (Naval hymn) for Oboe Consort, Eternal Father Strong, to Save (Naval hymn) for Clarinet Quintet, Amazing Grace for Bb Bass Clarinet & Piano, The Saint’s Visit Havana with a Touch of W.A.M for Treble/Alto Recorder & Piano, Mattinata for Descant Recorder & Piano, English National Anthem Jerusalem for Clarinet Choir (And Did Those Feet In Ancient Times), Arioso (Sinfonia to Cantata Ich steh mit einem Fuß im Grabe) for Oboe & K/B, Arioso (Sinfonia to Cantata Ich steh mit einem Fuß im Grabe) for Eb Alto Saxophone & Harpsichord, Air from the Suite No. 3 in D for Clarinet Quartet (Jazzy version), Fanfare & Soliloquy for Bass Clarinet & Piano, Times lost for Bb Tenor Saxophone & Piano, Times lost for Eb Alto Saxophone & Piano, Times lost for Flute & Piano, Times lost for Oboe & Piano, English National Anthem Jeruslaem for Saxophone Ensemble (And Did Those Feet in Ancient Times), Bollywood Tango for Bb Clarinet, Bb Bass Clarinet & Keyboard, Bollywood Tango for Oboe, Bassoon & Keyboard, Nessun Dorma for Bb Clarinet & Piano, Arrival of the Queen of Sheba for Flute, Oboe & String Orchestra, Welsh National Anthem for Wind Quintet (hen Wlad fy Nhadau-Land of my fathers), March from ’Judas Maccabaeus’ for Saxophone Quartet, Swing Low, Sweet Chariot for Recorder Consort, Air from the Suite No. 3 in D for Flute Quartet, Czardas for Bb Soprillo Saxophone & Piano, Czardas for Bb Bass Clarinet & Piano, Czardas for Bb Tenor Saxophone & Piano, A Serenade for Bb Clarinet & Keyboard, Allegro from the Trumpet Concerto for Eb Sopranini Saxophone & Keyboard, Czardas for Bb Soprano Saxophone & Piano, Allegro from the Trumpet Concerto for Soprillo/ Soprano Saxophone & Keyboard, Allegro from Torelli’s Trumpet Concerto in D for Alto Saxophone & Keyboard, 7 Popular carols in Norway for two French Horns, 7 Popular carols in Norway for two Bb Trumpets, 7 Popular carols in Norway for two Flutes, 7 Popular carols in Norway for two Eb Alto Saxophones, Träumerei for Solo Oboe & Piano, Von fremden Landern und Menschen for Saxophone Quintet, Von Fremden Landern und Menschen for Recorder Consort, Von Fremden Landern und Menschen for Flute Choir, Von Fremden Landern und Menschen for Clarinet Choir and Scenes from Childhood (Kinderszenen) Opus 15, for Wind Quintet

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