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Franz Liszt (Liszt Ferenc) prominently deployed two Hungarian devices in his orchestral version of the Sturmmarsch (March to the Assault, or Battle March): the tonality of Hungarian minor, and the orchestral introduction of the cimbalom, a folk instrument. A masterful harmonist, Liszt deftly shifts tonal centers in an unsettling manner to complement the tempo, Allegro impetuoso. The cimbalom part, in the wistful meno mosso, may be played on vibes, piano, etc. or omitted (though may one omit the paprika and still have a goulash?)
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