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original one step higher. Berlioz wrote this for the final scene of a production of Hamlet which never actually happened. It calls for a full Berlioz orchestra, including four bassoons, both trumpets and valved cornets, six field drums and a wordless chorus. The march was never performed during the composer’s lifetime, and now survives as the best-known part of his tryptich Tristia. Berlioz’s score calls for a rifle volley, which I’ve left out on the assumption that most bands don’t have a rifle section. If you do, by all means turn them loose in measure 85. While six field drums may be overkill, using 2-3 would be good to create the sound of a section.
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1st Alto Saxophone, 1st Clarinet in B^b, 1st Trombone, 1st Trumpet in B^b, 2nd Alto Saxophone, 2nd Clarinet in B^b, 2nd Trombone, 2nd Trumpet in B^b, 3rd Clarinet in B^b, 3rd Trumpet in B^b, Alto Clarinet in E^b, Baritone, Baritone Saxophone, Bass Clarinet in B^b, Bass Drum, Bass Trombone, Bassoon 1,2, Clarinet in E^b, Contra Alto Clarinet in E^b, Cymbals, Tam-tam, Euphonium, Flute 1,2, Horn in Eb 1,2, Horn in Eb 3,4, Horn in F 1,2, Horn in F 3,4, Oboe 1,2, Side Drum, Tenor Saxophone, Timpani and Tuba
1st Alto Saxophone, 1st Clarinet in B^b, 1st Trombone, 1st Trumpet in B^b, 2nd Alto Saxophone, 2nd Clarinet in B^b, 2nd Trombone, 2nd Trumpet in B^b, 3rd Clarinet in B^b, 3rd Trumpet in B^b, Alto Clarinet in E^b, Baritone, Baritone Saxophone, Bass Clarinet in B^b, Bass Drum, Bass Trombone, Bassoon 1,2, Clarinet in E^b, Contra Alto Clarinet in E^b, Cymbals, Tam-tam, Euphonium, Flute 1,2, Horn in Eb 1,2, Horn in Eb 3,4, Horn in F 1,2, Horn in F 3,4, Oboe 1,2, Side Drum, Tenor Saxophone, Timpani and Tuba