Fugue on B-a-c-h for Wind Quintet

By: Johann Georg Albrechtsberger arr. Keith Terrett
For: Wind quintet
page one of Fugue on B-a-c-h for Wind Quintet

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Composer
Johann Georg Albrechtsberger arr. Keith Terrett
Arranger
Lyricist
Keith Terrett
Difficulty
Difficult (Grades 7+)
Duration
3 minutes
Genre
Classical music
License details
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.

A new arrangement of Albrechsberger’s Fugue uber B-A-C-H, arranged for Wind Quintet.

This arrangement makes a challenging work for your ensemble, who should enjoy the contrapuntal textures that this transcription offers.

He originally studied music at Melk Abbey and philosophy at a Benedictine seminary in Vienna and became one of the most learned and skillful contrapuntists of his age. Albrechtsberger’s earliest classmates included Michael Haydn and Franz Joseph Aumann. After being employed as organist at Raab in 1755 and Maria Taferl in 1757, he was appointed Thurnermeister back at Melk Abbey. In 1772 he was appointed organist to the court of Vienna, and in 1792 Kapellmeister of St. Stephen’s Cathedral.

His fame as a theorist attracted to him in the Austrian capital a large number of pupils, some of whom afterwards became eminent musicians. Among these were Johann Nepomuk Hummel, Ignaz Moscheles, Josef Weigl (1766–1846), Ludwig-Wilhelm Tepper de Ferguson (1768 – after 1824), Antonio Casimir Cartellieri, Ludwig van Beethoven, and Franz Xaver Wolfgang Mozart. Beethoven had arrived in Vienna in 1792 to study with Joseph Haydn but quickly became infuriated when his work was not being given attention or corrected. Haydn recommended his friend Albrechtsberger, with whom Beethoven then studied harmony and counterpoint. On completion of his studies, the young student noted, "Patience, diligence, persistence, and sincerity will lead to success," which reflects upon Albrechtsberger’s own compositional philosophies.

When Beethoven was finished studying with Albrechtsberger he decided to get a few more tips and pointers, so to speak, from Haydn. From there Beethoven possibly studied with Salieri, but this is unknown as a fact. It is also quite possible that Beethoven went off on his own to make a living, and only then returned after he had a stable career.

Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.

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Lullaby for a Bassoonist with Keyboard & Double Bass/Guitar, Three Gymnopédies for Oboe & Harp, Arrival of the Queen of Sheba for two Oboes & String Orchestra, Czardas for Flute & Concert/Wind Band, Vedrò con mio Diletto: Aria from the Opera "Giustino" for Solo Oboe & String Quartet, 8 Swinging Xmas Carols for Flute & Piano, Arrival of the Queen of Sheba for Oboe Consort, Eternal Father Strong, to Save (Naval hymn) for Oboe Consort, Arrival of the Queen of Sheba for Flute Choir, Fugue for 6 Oboes, Amazing Grace for Oboe & Piano, Trumpet Tune from the Island Princess for Flute Quintet/Choir, Cwm Rhondda for 2 Oboes & English Horn, O Sole Mio for Flute & Piano, Amazing Grace for Flute & Pianoforte, Pachelbel’s Canon for 8 Bb Clarinets, Chorale Partita with Seven Variations for Wind Quintet (Alle Menshen), A Bassoonist Goes Ballroom Dancing, Für Elise Boogie Woogie for French Horn & Piano (Keith Terrett Jazz for Brass Series), Air on a G String for Flute & String Orchestra from the Suite No. 3 in D , Prelude from Te Deum (Eurovision Song Contest Theme) for French Horn & Organ w pedals (Lower version), Franzosisches Lied: Est-ce Mars? for Flute Ensemble, Badinerie from Suite No.2 for Oboe & Piano, Nessun Dorma for Bb Bass Clarinet & Piano, Air from the Suite No. 3 in D for Oboe Quartet, For all the Saints (Sine Nomine) for Clarinet Quintet, Three Welsh Chorales for Flute Quartet, Air on the G String from the Suite No. 3 in D for Solo F Horn & String Orchestra, Arrival of the Queen of Sheba for Clarinet Ensemble, Pachebel’s Canon for Flute Choir/Octet, Arioso (Sinfonia to Cantata Ich steh mit einem Fuß im Grabe) for Bb Clarinet & Keyboard, Stanley Trumpet Voluntary for Flute & Organ with Pedals, Hebrew Slaves Chorus from Nabucco ( "Va, pensiero") for Oboe Quintet, Pachelbel’s Kanon Rocks! Mixed Ensemble, March from ’Judas Maccabaeus’ for Flexible Band (School Junior Band Series), O Sole Mio for French Horn & Piano, Amazing Grace for Bassoon & Piano, Fanfare & Soliloquy Bassoon & Piano, Air on the G String for Bb Clarinet & Strings from the Suite No. 3 , 3 & 1/4 Classic Favourites for Five Clarinets! ( 4 Bbs & Bass), Stanley Trumpet Voluntary for Two solo Oboes & Piano, Three Welsh Chorales for Clarinet Quartet, Allegro from the Trumpet Concerto for French Horn & Keyboard, Arrival of the Queen of Sheba for two Flutes & String Orchestra, Keep the Fire Alive for solo Oboe & Concert Band, Scenes from Childhood for Clarinet Quintet, Also Sprach Zarathustra Rocks! 2001 A Space Odyssey for French Horn & Organ, Air from the Suite No. 3 in D for Woodwind Quartet, Three Welsh Chorales for Wind Quartet, Pachelbel’s Canon for Oboe Consort/Octet, Fanfare, Procession & Lament for Concert Band, What Shall We Do With The Drunken Wind Quintet?, A Serenade for Wind Quintet, Hebrew Slaves Chorus from Nabucco ("Va, pensiero") for Wind Quintet, Lullaby for an Oboist, Keyboard & Bass, Stanley Trumpet Voluntary for Two French Horns & Piano, Arrival of the Queen of Sheba for two Bb Clarinets & String Orchestra, Echo for Clarinet Octet, Jazz it up: ’When the Saints Go Marching In’ for Oboe & Piano, Arrival of the Queen of Sheba for two Bassoons & String Orchestra, Swing Low, Sweet Chariot for Oboe & Keyboard, Träumerei for Solo Oboe & Piano, O Sole Mio for Bb Clarinet & Piano, The Saint’s Visit Havana with a Touch of W.A.Mozart for Flute & Piano , Air on the G string for Bassoon Duo, What Shall We Do With The Drunken Band? (Flexible School Wind Band Series), Lily the Pink for Junior School Brass Quartet with Keyboard & Drums, What Shall We Do With The Drunken Bb Clarinettist?, Rondo Alla Turca for Bb Bass Clarinet & Piano, Rondo Alla Turca for Flute & Piano, Salut d'Amour Loves Greeting Opus 12 for French Horn & Piano, Träumerei for Wind Quintet (Flt, Ob, Hn, Clt & Bsn), Vedrò con mio diletto Aria: from the Opera "Il Giustino" for Bb Clarinet & Keyboard, Scenes from Childhood (Kinderszenen) Opus 15, for Wind Quintet, Arrival of the Queen of Sheba for Wind Quintet, Ave Maria for Bb Tenor Saxophone, Twenty Minute Tango for Bassoon & Piano, Tico-Tico no fubá for Oboe, Bassoon & Piano, Tico-Tico no fubá for Bb Clarinet, Bass Clarinet & Piano, Tambourin for Bb Clarinet & Piano, Tambourin for Oboe & Piano, African Anthem for Clarinet Quintet, Rondo Alla Turca for Bb Clarinet & Piano, Rondo Alla Turca for Oboe & Piano, Mitt hjerte alltid vanker for Recorder Quartet, 7 Popular julsangs for two Eb Tenor/Altohorns/Alto Horn and Quando Me'n Vo for French Horn & Piano

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