This is the 16th volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.

Volume 16 (Songs 406-432)

Here’s Adieu to All Judges and Juries- Heron from Brecon (The)- Hexhamshire Lass (The)- Hey Ho, The Morning Dew- Hieland Laddie- High Germany- Hills of Shiloh (In The)- Hind Horn- Ho ro, My Nut-Brown Maiden- Holland Handkerchief- Holly Ho- Holly Tree (The)- Hope the Hermit- Horn Fair- Hostess’s Daughter (The) House Carpenter (The) How My Soul is now Delighted- Hugh Lincoln- Hughie the Graeme- Hunting Priest (The )- Hunton Sword-Dance- Husbandman (The) Hush, my Babe- I Am the True Vine- I Have four Sisters- I Hear Along Our Street 1 (Dunster Carol)- I Live not Where I Love