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This was written while I was working as the horn teacher at the conservatory of Istanbul University. The building in which I worked also housed the ballet department and it may have been the dancers exercising at the barre that prompted this short piece. Harmonically it is reminiscent of an Erik Satie "gymnopodie". It should be played without the slightest hint of rubato (except for the short cadenza-like passage) though with very expressive phrasing.
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