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Original electronic work is based on the twelve-tone row. First part begins with noisy clusters which gradually morph in tonal chords of the vocal nature. Timbre material of the second part was created by means of the vocoder and synthesizer controlled by analog sequencer - it's total improvisation. Third part used the melodic row with repetitive technique, where rhythmic pulsation is changed all the time. Melodic-rhythmic patterns were composed on the base of variations, permutations and rotations of the higher order, melodic row is transformed into the chords. It's "repetitive serialism" or "serialistic minimalism". Danse, joy, ecstasis evocation, but longing for stoppage the inexorable time flow. In the end vocal colors are added.
This is a piano version of the third part.
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