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This piece has got its name by the frequent use of voice crossing, which resembles to weaving of cloth. There are four movements and each represents different texture of four materials:
1) Linen - rough and rural
2) Cotton - soft and warm
3) Nylon - artificial and dry
4) Silk - oriental, shining, and precious
Since the cloths here are only small pieces, I deliberately avoid sophisticated motific development. Instead, repetitive patterns are often found, which reminiscent the style of a Bach/Chopin Prelude.
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