Ready to print
You have already purchased this music, but not yet printed it.
This page is just a preview and does not allow printing. To print your purchase, go to the My purchases page in your account and click the relevant print icon.
Brass Quintet - Monteverdi Madrigals Book 6 - 10. Qui rise Tirsi
Already purchased!
You have already purchased this score. To download and print the PDF file of this score, click the 'Print' button above the score. The purchases page in your account also shows your items available to print.
This score is free!
Buy this score and parts
Brass Quintet - Monteverdi Madrigals Book 6 - 10. Qui rise Tirsi
$11.50
Preview individual parts:
Instant download
You are purchasing high quality sheet music PDF files suitable for printing or viewing on digital devices.As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs.
Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor).
The first four songs form a kind of introductory 'scena', which Monteverdi calls "Lamento d'Arianna". A little later, there is a set of 6 songs which he grouped together under the title "Sestina".
This song, No 10 starts with the line "Here Tirsi laughed and wriggled under the two(twin?) stars of the beautiful Clorinda" I think you get the picture! We can see plenty of musical laughing and wriggling in the music with dotted rhythms and semiquaver runs. The top two voices are Clorinda (doing a fair amount of wriggling herself) while the bottom two take the part of Tirsi. There are places where all four voices give vent to an exclamation and where, presumably, the two lovers had to stop for breath! The original incorporates a very basic continuo part, which I have shared between the resting voices.
As with all things madrigalian, the lyrics are rife with double entendres.