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"I chose the title "Bergamasca" for my orchestral fantasy as a reminder of an old dancing song which originated in the region of Italian town Bergamo in the 16th century. The instrumental shape of Bergamasca had gradually spread out over Europe and it reached significant success especially in the 19th century. However, my intention was not to revive the historical form but to create a free, fanciful dancing picture. Bizarre mystique mingles with nostalgic cheerfulness; passionate flow is followed by lyrical-humorous natural idyll. The driving power of that all is a rhytmical element - the essence of dancing and music expression." Author
"Název sve orchestrální fantazie "Bergamasca" jsem zvolil jako jisté připomenutí stare taneční písne, která má svůj počátek již v 16.stol. v oblasti italskeho mesta Bergamo. Její instrumentální podoba se rozšířila po Evropě a značnou obecnou oblibu zažila zejména v 19.stol. Slovo "pergamuška", dodnes českými muzikanty užívané (obvykle ve zlehčujícím vyznamu), vzniklo zřejmě právě počeštěním slova bergamaska. Mym záměrem nebyl ovšem návrat k historické formě, ale volné zobecnění do podoby jakéhosi fantaskního tanečního obrazu. V něm se mísí bizarní tajuplnost s nostalgickou úsměvností, dravý pohyb tu střídá lyricko humorné přírodní idylka. Ústřední hnací silou všeho toho je rytmický živel - prapodstata tanečního i hudebního projevu." Autor
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Clarinetto 1 in Bb, Clarinetto 2 in Bb, Contrabbassi, Corno 1 in F, Corno 2 in F, Corno 3 in F, Fagotto 1, Fagotto 2, Flauto, Flauto piccolo, Oboe 1, Oboe 2, Percussione 1, Percussione 2, Percussione 3, Piano, Tromba 1 in Bb, Tromba 2 in Bb, Trombone 1, Trombone 2, Tuba, Viole, Violini 1, Violini 2 and Violoncelli
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