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This oneiric indulgence guided by the ebullient spirit of Fellini, is centred on the Austrian Empress, Archduchess Maria Theresa (1717-1780). The principle conceit is an impossible somatic experience of Beethoven’s celebrated Opus 97 B flat major Piano Trio written for the Archduke Rudolf (1788-1831) in 1811. As the Archduchess sinks into the arms of Morpheus, the darkest B flat minor moment from the trio of Beethoven’s Trio is heard slowed down and distorted, as might be expected from a somnolent recreation, resulting in an anxious turgid miasma.
The body of Erhozhogintraumtrio is a fragmentary recollection of several themes from Beethoven’s work overlaid by her anxieties of ruling the Hapsburg Empire – identification with Montiverdi’s Poppea, (Montiverdi was born in Cremona, under Hapsburg rule until 1859), regret for the loss of the rich Spanish heritage in 1700 and her rejuvenation by the hot blooded spirit of Transylvania, at the opposite end of her empire. The work ends as she awakes refreshed with suitably energetic material, tonally a dominant in B flat major. video here: https://youtu.be/T6NNrQiGsAY
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