Allegro from the Trumpet Concerto for Flute & Keyboard

By: Guiseppe Torelli
For: Solo Flute + piano
page one of Allegro from the Trumpet Concerto for Flute & Keyboard

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Composer
Guiseppe Torelli
Arranger
Year of arrangement
2006
Difficulty
Moderate (Grades 4-6)
Duration
3 minutes
Genre
Classical music
License details
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.

An arrangement of Torelli’s Trumpet Concerto 1st Movement for solo Flute & Keyboard.

This little arrangement is not so hard on flute in D major, as it mainly lies under the fingers, and should suit younger players and professional ones alike looking for Baroque literature; with which to expand their concert repertoires.

Giuseppe Torelli (22 April 1658 – 8 February 1709) was an Italian violist, violinist, teacher, and composer.

Torelli is most remembered for his contributions to the development of the instrumental concerto (Newman 1972, p. 142), especially concerti grossi and the solo concerto, for strings and continuo, as well as being the most prolific Baroque composer for trumpets (Tarr 1974).

Torelli was born in Verona. It is not known with whom he studied violin though it has been speculated that he was a pupil of Leonardo Brugnoli or Bartolomeo Laurenti, but it is certain that he studied composition with Giacomo Antonio Perti (Schnoebelen and Vanscheeuwijk 2001). On 27 June 1684, at the age of 26, he became a member of the Accademia Filarmonica as suonatore di violino (Schnoebelen and Vanscheeuwijk 2001). By 1698 he was maestro di concerto at the court of Georg Friedrich II, Margrave of Brandenburg-Ansbach, where he conducted the orchestra for Le pazzie d’amore e dell’interesse, an idea drammatica composed by the maestro di cappella, the castrato Francesco Antonio Pistocchi, before leaving for Vienna in December 1699 (Schnoebelen and Vanscheeuwijk 2001). He returned to Bologna sometime before February 1701, when he is listed as a violinist in the newly re-formed cappella musicale at San Petronio, directed by his former composition teacher Perti (Schnoebelen and Vanscheeuwijk 2001).

He died in Bologna in 1709, where his manuscripts are conserved in the San Petronio archives. Giuseppe’s brother, Felice Torelli, was a Bolognese painter of modest reputation, who went on to be a founding member of the Accademia Clementina. The most notable amongst Giuseppe’s many pupils was Francesco Manfredini

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