Adagio from the Concerto for Piano and Orchestra (for solo classical guitar) 3 pp

By: Maurice Ravel
For: Solo instrument (Classical Guitar [notation])
page one of Adagio from the Concerto for Piano and Orchestra  (for solo classical guitar)   3 pp

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Adagio from the Concerto for Piano and Orchestra (for solo classical guitar) 3 pp

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Composer
Maurice Ravel
Publisher
Difficulty
Moderate (Grades 4-6)
Duration
4 minutes
Genre
Classical music
License details
For anything not permitted by the above licence then you should contact the publisher first to obtain permission.

Maurice Ravel (1875 -1937)

Ravel was born in the Basque region of France and much of his work shows a Spanish influence (this, together with his interest in jazz has produced some exceptional guitar transcriptions). He was a pupil of Faure and at first fell, like many contemporary composers, under Debussy's spell. However, his ascetic and intellectual bents produced from the start a refinement of composition and orchestration, and development of melody, all his own. Later music, including the Concerto, shows his love of the rhythmic features of jazz, and thoughtful incorporation of the innovations of modern music – strong dissonance, atonality etc.

With the Adagio the opening theme, which has a long line typical of Ravel, undergoes a series of variations. In waltz time (this feel must be kept up for the intent of the piece to be brought out) over an implacable bass the music marches on with hypnotic effect to the coda, a final gem of roving harmony that descends into quietude.

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