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The "Escape" created in this piece is represented by three themes, the conflict (at rehearsal C), the antagonist or oppressor (at rehearsal D), and the protagonist (at rehearsal F).
Harmonies in this piece were constructed from quasi-polytonal designs. That is, the vertical interpretation of most of the chords could be interpreted as having only one tonal center. However, each line (or group of lines) is written in its own key.
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Bass Trombone, Bassoons, Clarinet 1 in Bb, Clarinet 2 in Bb, Contrabass, Cymbals, English Horn, Flute 1, Flute 2, Horns 1,3 in F, Horns 2,4 in F, Oboe 1, Oboe 2, Piccolo, Timpani, Trombone, Trumpet 1 in Bb, Trumpet 2 in Bb, Tuba, Viola, Violin I, Violin II and Violoncello
Bass Trombone, Bassoons, Clarinet 1 in Bb, Clarinet 2 in Bb, Contrabass, Cymbals, English Horn, Flute 1, Flute 2, Horns 1,3 in F, Horns 2,4 in F, Oboe 1, Oboe 2, Piccolo, Timpani, Trombone, Trumpet 1 in Bb, Trumpet 2 in Bb, Tuba, Viola, Violin I, Violin II and Violoncello
